Photo: Arild Vågen
Hello. Ville and I are playing as a duo at the Queerplats Stockholm event on the 2nd of November. The event is to be held at Studio 124 in Rågsved. The Portland band Lovers will also play.
Queerplats is a group of people whose long-term goal is creating a permanent 24h “safe space” for queer people in the Stockholm area.
The best way to get there is to take the Green line to Rågsved and head to the right after the exit and right again onto Rågsvedsvägen. Go straight through the roundabout and then turn left on Garphyttegränd. The address is Garphyttegränd 2.
Ciao a tutti! We will tour in Italy in December. These are the affected cities and venues:
04/12 ROMA, Unplugged In Monti – Blackmarket
05/12 NAPOLI, Lanificio
06/12 PADOVA, La Mela di Newton
07/12 MILANO, Pop Days – Ligera
08/12 CARPI, Mattatoio
We are extremely happy to get on the road again. And, what’s even better, we could get on any old road, because, as you know, all roads lead to…
Cats on Fire have some history in Italy. Our first ever concert outside the Nordic countries was in fact in Modena, Italy. That went a bit wrong, for everybody involved. All of us arrived in Modena having paid extra fees at the airport, a routine which I consider naming the Old RyanAir Tango. Then we found out that the festival venue had been closed down by the police. The organizers manage to move the festival to a different venue, but what they didn’t manage was regulating the alcohol consumption among the Scandi artists that were supposed to play. They just put the liquor bottles on a table, out in the open! Surely they must know you can’t just do it like that. We were definitely not among the worst participants in the bacchanalia that included vomiting, falling behind toilets, ambulance personnel. Scandinavian people are easy to deal with, as long as you hide the bottles, for Christ’s sake. The organizers just shook their heads and said they thought the behaviour was strange and disrespectful. Yes, but you brought it on yourselves.
Reports of the decision to shut down Radio Helsinki in October have probably reached most Finnish people who has even the slightest interest in popular music. With ‘interest’, I mean those who are not automatically content with what’s being fed to them via mainstream channels. Cats on Fire has, like countless other Finnish groups, received invaluable support from Radio Helsinki, and with international behemoths like the Red Hot Chili Peppers and Wilco now joining the campaign to save the station, I’ve felt that some kind of statement from us would be both superfluous and slightly presumptuous.
However, there is something irritatingly familiar with this decision that I just have to address with a few sentences. I don’t know quite how the big guns on the board of the massively big media house Sanoma have reasoned, but the bottom line is apparently that the small, alternative radio station doesn’t generate enough dough. I’m certainly not going to contest that, since I don’t know the details at all. What I find irritating is the obvious lack of pride. In a statement regarding the decision, the business director of Helsingin Sanomat (the parent newspaper of Radio Helsinki) Petteri Putkiranta acknowledges that Radio Helsinki has been appreciated for its talk shows and speciality music programmes. That’s an understatement so gross that you could argue it misses the point completely. Radio Helsinki should be a source of endless pride for any respectable media house. To run a playlist-free station like Radio Helsinki, with its enormous musical and cultural braintrust, in the airheaded, watery, streamlined media landscape we live in today is a show of strength and willpower. Let me assure you, they have nothing like Radio Helsinki in Sweden. It gives you the bragging rights. Or, if you want to reduce it to terms of competition, look at what evolutionary biology teaches us – it can be very advantageous to show your competitors that you can indeed afford to bleed a little. In case you shut it down, all everyone sees is that you are cultural buffoons in financial distress, and every mother-in-law knows just how unattractive that is.
Shutting down things that are slightly difficult, precious and different is of course a sign of the times in the media business. In other words, a shutdown is precisely what you could expect would happen to something like Radio Helsinki, because it is all that. But what’s to say it is the right thing to do in the long run? Has ‘playing it safe’ been proven to work when it comes to turning around the negative trend in media ad revenue? What’s to say that the shutdown of this unique media outlet isn’t going to cost Sanoma News dearly in the future? I don’t know the answers, but I have a strong feeling that the people who have rallied behind the campaign to save Radio Helsinki have done it partly because they dislike the ongoing trend of standardization and conformity in big media, and that these enlightened people will be a lot more likely turn away from Sanoma media products in the future.
Find ways to support the campaign by liking the Save Radio Helsinki facebook page.
Exclusive 8-track Soliti compilation to celebrate its second birthday. The Soundcloud compilation includes an early version of “A Different Light” and some say it’s better than the real thing. All the Soliti artists, The New Tigers, Black Lizard, Delay Trees, Cats On Fire, Astrid Swan, Black Twig, Big Wave Riders and Paperfangs, have contributed.
Here’s a link to the original article on Solitis webpage.
Our latest album “All Blackshirts to Me”, together most of the Soliti back catalogue is now available on Spotify and Deezer worldwide.
Here’s a Soliti curated playlist for Spotify…
…and here’s a handy label search link: